Image © Lori Gravley |
Just reading that last sentence makes me shiver. I realize that I’m surrounded,
psychologically speaking, by my projections.
My husband very rarely comes into focus for me as himself, he’s often
seen by me as who I think he is, the same for my children and my friends. I’m working on this. Yoga and meditation help. Compassionate Communication helps. Getting
older and becoming more aware helps.
In revising my writing, the helps are the same. Being patient, sitting with what is, being
aware of common patterns, and running my ideas through wise guides help me see my work as it is and not how I expect it to be.
So does the list of revision thoughts I’ve compiled from
feedback I’ve gotten through the years.
What’s making me think of this now when I'm immersed in planning my next novel is the feedback I just got
from an editor. He asked me to remove
the I-ness from a poem. My first
response was, of course, the nerve. But
I slept on it and woke this morning to give it a try. It was easy to remove the I and the new poem was a better poem. I’ve added *examine the I-ness* to my
list of revision strategies, it joins other useful tactics that I frequently
apply when I revise my poems:
--inspect the articles and
conjunctions,
--kill your darlings (find the
poetic word or vocab word that sticks out in the poem and delete it),
--look for the form (is it organic
or is it leaning toward a sonnet, a ghazal, couplets?)
--break the line, space the line,
--write to the turn (find the turn
in the poem and then pay attention to what leads up to that turn and what
happens after it),
--explore cutting the
first and last lines,
and now --examine the I-ness.
and now --examine the I-ness.
Update: The advice he gave must have worked. My poem, "Late Summer Song," will be published online at the beautiful e-zine Plum Tree Tavern.
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