Medieval Paris: The Cluny Museum

The Cluny from outside the walls.

The first time I went to the Cluny, I went for the Unicorn Tapestries.  The next time, I went for the gardens.  This time, I was searching for everyday medieval objects.  In each case the Cluny has more than fulfilled my expectations. 

A reliquary, in this case a golden foot intended to hold

the foot bones of a saint.

The gardens were closed this time, but I ate lunch in a little garden off the side of the museum.  Though it wasn’t specifically medieval in its construction and design, it still allowed me a bit of quiet in the middle of a seven-mile day.  The  Unicorn Tapestries have a delightful new room.  Before, I was concerned about the fading of the tapestries, and the new room uses diffused light to keep the rich reds and deep blacks of the Unicorn Tapestries from continuing to fade. 

What draws me again and again at the Cluny are the reliquaries. I remember being disappointed on my first trip there that they no longer held the hair, toenails, bones, or other physical objects connected to the saints the were created to hold, but the care that has been taken with the containers speaks to a devotion, fascination, and faith that I still admire. 

Board games from the 14th century.

I spent a lot of time in the everyday objects room, fascinated by the combs and buttons in one exhibit and by the playing cards and dominoes in another. 

I can’t imagine a visit to Paris without the Cluny.  Next time, hopefully I’ll be able to eat my Nutella and baguette in the Museum gardens.

Poem a Day--Beyond the Personal

I’m sure you won’t be surprised that I do research to write some of my poems.  My verse biography of Christine clearly needs research even though I came to the project with much knowledge.

If you’d told me when I was first writing poems that a satisfying poem could be written from research, I might have scoffed.  Though I loved the dramatic monologues of Robert Browning and appreciated Edgar Lee Masters Spoon River Anthology, I hadn’t thought of the way a poet created a world like the ones these poets built. 

Even though I wrote poems from different points of view, (most notably "American Girls" which was published in Nebo and nominated for a prestigious award) I wrote that poem from the direct inspiration of a radio story on NPR.

At that time, the thought of using research to write a poem seemed at odds with the confessional and nature poets I read.  Now, I know a number of books written from the same sort of research and exploration that I undertake regularly to find inspiration for poems.  Drea Brown’s Dear Girl, a short verse biography told from the perspective of Phillis Wheatley; the award-winning verse biography of Sylvia Plath, Your Own, Sylvia, by Stephanie Hemphill; and Myrna Stone’s Cassanova Chronicles are all recent books based on research.  The poet immerses herself in the world of an historic figure and then tries to imagine that world for a new generation. 

I have a curious and unsettled mind, so when I find it hard to draw on daily images for inspiration, I usually have a question on hand that I’d like to explore a little more. It doesn’t take much research to find just the phrase to unlock a new poem. 

Try it. Choose someone from history, someone small that you’ve heard only a few things about, and see what you can discover.  See if you find those perfect few words to light the match that will glow into your next poem, or maybe even a book.

Or go to a historical museum, read the placards and interprative displays and write a poem. 

Or next time you see one of those historical markers on the side of the road, stop, read it, soak in the atmosphere, and write a poem.  

A small section of my bookshelf with my research materials 

for Christine

Listen to the radio, read the newspaper, immerse yourself in the world.  Then write the world as only you can. And if you write a poem from a news story, remember that you can submit to Rattle: Poets Respond by Friday of each week about a news story you read and responded to that week.  

If that doesn't work for you (as it sometimes doesn't for me) go back to your daily life and find inspiration there. Or the dictionary. Or a news story. Or try a new form. Whatever works to get the words on the page.  Happy writing.